Invitation

                                INVITATION

Dear friends,

We Saamskaarika Kalaakendram,Vazhiyambalam  is planning to conduct a seminar on the topic " ART FORMS OF KERALA" on next Monday 31 January 2016 at our panchaayath auditorium at 3 p. m .   Famous Kathakali aachaaryan Raamanaadha chaakyaar is inagurating the function. He and other famous traditional artists are leading the seminar. There will be a traditional visual treat after the seminar. We cordially invite your esteemed presence in the seminar.

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                                                                                                                   club Secretary

 

brochure

Kalaripayattu

Kalaripayattu (pronunciation: [kɐɭɐripɐjɐtːɨ̆]) is an Indian martial art which originated in the state of Kerala. It is considered to be the oldest fighting system in existence.^[1] It is now practiced in Kerala, in contiguous parts of Tamil Nadu and among the Malayali community of Malaysia. It was originally practiced in northern and central parts of Kerala and the Tulunadu region of Karnataka.^[2]
Kalaripayattu includes strikes, kicks, grappling, preset forms, weaponry and healing methods.^[2] Regional variants are classified according to geographical position in Kerala; these are the Northern style from Malabar region in north Kerala, the Central style from inner Kerala and the southern style from Travancore region of south Kerala. The southern Payattu system is now extinct and the Tamil style of "Adi Murai" is classified as the southern kalaripayattu. Legends like Unni aarcha, Aromal Chekavar and legendary kalari trainers like Narayan Gurukkal belonged to Ezhavas clan. The kalaripayattu was spread across to Chinese borders by Bodhidharma, who was a Buddhist monk.

Puli Kali

Puli Kali ("Puli" = Leopard/Tiger & "Kali" = Play in Malayalam language) is a colorful recreational folk art from the state of Kerala.^[1] It is performed by trained artists to entertain people on the occasion of Onam, an annual harvest festival, celebrated mainly in the Indian state of Kerala. On the fourth day of Onam celebrations (Nalaam Onam), performers painted like tigers and hunters in bright yellow, red, and black dance to the beats of instruments like Udukku and Thakil. Literal meaning of Pulikali is the 'play of the tigers' hence the performance revolve around the theme of tiger hunting. The folk art is mainly practiced in Thrissur district of Kerala. Best place to watch the show is at Swaraj Round, Thrissur on the fourth day of Onam, where Pulikali troupes from all over the district assemble to display their skills. The festival attracts thousands of people to the Thrissur city. Pulikali is also performed during various other festive seasons.

Chakyar Koothu

Chakyar Koothu (pronounced [tʃaːkjaːr kuːt̪ːɨ̆]) is a performance art from Kerala, South India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the Ramayana and the Mahabharata) and stories from the Puranas.^[1] Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience).^[2]
"Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars.
It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso smeared with sandalwood paste and red dots all over the body. The headgear resembles snake’s hood, to symbolise the narration by Anantha, the thousand headed serpent.^[1]
The Chakyar narrates the story based on the Sanskrit style of "Champu Prabandha" - a mixture of prose (gadya) and poetry (shloka). He begins with a prayer to the deity of the temple. He then goes on to narrate a verse in Sanskrit before explaining it in Malayalam. The narration uses wit and humor to draw parallels with current events and local situations.

Kathakali

                      

Kathakali (Malayalam: കഥകളി, kathakaḷi; Sanskrit: कथाकेळिः, kathākaḷiḥ) is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.[1Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'.

Oppana

Oppana (Malayalam: ഒപ്പന) is a popular form of social entertainment among the Mappila (Kerala Muslim's) community of Kerala, south India, prevalent all over kerala especially in Malappuram.^[1] The Malayalam word Oppana Pattu is the derivation of Tamil word 'Oppanai Pattu'. In Tamil 'Oppanai' means make up.^{[citation needed]}. Oppana was originated on the occasion of make of Muslim brides. Now Oppana has been extinct in Tamil Nadu. But in Kerala this art form has been revived with much popularity in performing stages of Youth Festivals of student community.

Oppana, a dance form among the Mappila community

Oppana is generally presented by females, numbering about fifteen including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of mylanchi (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move around the bride using simple steps. Two or three girls begin the songs and the rest join in chorus.^[2]